[Petunija1]
Tukaj ni govora o povprečnih ženskah, ki so zadovoljne s (pod) povprečnimi kekci, ampak o feministkah, ki imajo precej višje standarde in z navajanjem konkretnih moških imen sem ti dokazala, da obstajajo tudi takšni, tudi v Sloveniji, lahko jih iščeš pa tudi drugje, bolj kot greš proti severu več jih je.

Ne samo to. Dolfo je veljalo, da pisateljice objavljajo pod moškimi psevdonimi ali samo z začetnico imena, ki ne razkrije spola (Rowlingova), zadnje čase pa se je zadeva celo obrnila. Moški so začeli objavljati pod ženskimi pesniškimi imeni. :-)

Almost 10 years ago, Martyn Waites, a British crime writer, was having coffee with his editor. Waites, who was at something of a loose end project-wise, was looking for new ideas. His editor, though, was looking for a woman. Or, more specifically, a high-concept female thriller writer who could be the U.K.’s Karin Slaughter or Tess Gerritsen.
“I said I could do it,” Waites recalls. His editor was skeptical. But then Waites outlined an idea for a book based on a news story he’d once read, about a serial killer targeting pregnant women and cutting out their fetuses. The concept, he admits somewhat bashfully, was a gruesome one.
“That’s exactly what we’re looking for,” was his editor’s response.
That idea became The Surrogate, a crime thriller published in 2009, and Waites simultaneously became Tania Carver, his female alter ego.
www.theatlantic.com/...ks/535671/